The Border of Borders

In 2019, writer and historian Timothy Phillips embarked on a 3,000-mile trek along the route of Europe’s postwar dividing line—almost a third was on foot. The trip began in Norway’s far north and ended where Turkey and Azerbaijan meet, and in his engrossing “Retracing the Iron Curtain,” Mr. Phillips uses that journey to tell the story of this brutal “border of borders,” which in the early days after World War II reached much further than is typically recalled.

And so Mr. Phillips shows up in Bornholm, a Danish island in the Baltic, which was still being “liberated” by the Soviets when Churchill spoke of an Iron Curtain….

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Berlin as the Unreal City

Berlin has too much [history].” Sinclair McKay cites this rueful observation in the preface to his new book about the city. Given that he is not simply discussing Berlin between the wars, or during the second of those wars, or in the Cold War that followed, but all of it, this may come off as a cry for help. History may — in those words attributed to, well, take your pick — be “one damned thing after another,” but when it came to Berlin, those things hurtled through time in a horde, colliding, overlapping and refusing to form an orderly line. And, in Berlin’s case, they had a way of mattering. Not for nothing does this book’s subtitle refer to Berlin as “the city at the center of the world.” Bad news for a writer aiming, presumably, at a degree of concision.

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Our Enemy’s Enemy

After Nazi Germany attacked the USSR, Winston Churchill had no qualms about entering into an alliance with Stalin, whose regime he understood all too well: “If Hitler invaded Hell, I would make at least a favorable reference to the Devil in the House of Commons.”

Similar thinking does much to explain the enlistment of former (and not so former) Nazis by the Western allies in intelligence work against the Soviets after 1945…

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Surviving The Time Of Wolves

“Eight Days in May,” a gripping, immaculately researched retelling of the Nazi Götterdämmerung, is the story of an intermission, a phase, as the German author Erich Kästner wrote in his diary, between the “no longer” and “not yet.” But during this intermission the action rarely paused. Written by Volker Ullrich, a German journalist and historian perhaps best known for his impressive two-volume biography of Hitler, this book is structured as the day-by-day chronicle implied by its title. That said, Mr. Ullrich also looks further backward and forward in time to add the context that a study confined to eight days alone could not provide.

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Big Bruder Watching

Gary Bruce: The Firm - The Inside  story of the Stasi

The Weekly Standard, January 24, 2011

The Wall, Berlin, August 1978 © Andrew  Stuttaford

The Wall, Berlin, August 1978 © Andrew  Stuttaford

Stalin’s observation that the death of one man is a tragedy but the death of a million is a statistic helps explain why some of the finest portraits of 20th-century totalitarianism have been miniatures. Ivan Denisovich’s “day without a dark cloud” and the hunt for the Jewish schoolboys in Louis Malle’s Au Revoir les Enfants illuminate horrors that stretch far beyond one outpost of the Gulag or a stagnant Vichy town. The decision by the Canadian historian Gary Bruce to focus his new history of the East German secret police, the Stasi (Staatssicherheit), on Perleberg and Gransee, two out-of-the-way districts in communism’s distaff Germany, might have promised something of the same. But that’s not what his book delivers.

Instead, Bruce takes advantage of the fact that an unusually high proportion of the Stasi archives were left untouched in the backwaters that are his setting to produce a meticulous, grassroots examination of (to quote Timothy Garton Ash) “the quieter corruption of [East Germany’s] mature totalitarianism.” Supplemented by a series of interviews both with former secret policemen and those they watched over, The Firm is well done, even if Bruce’s approach has meant that the grand guignol of the Stasi’s formative years is passed over too lightly for his book to be viewed as a truly comprehensive analysis of that organization’s malignant DNA. The worst aspects of the later, more discreetly brutal, decades also escape the scrutiny they deserve. There’s little on the fates of those “the firm” (the Stasi’s smug nickname for itself) considered its most serious opponents. Their cases would have been handled by (and usually in) East Berlin.

This matters. East Germany’s past remains poorly known outside its former borders and, judging by the perverse phenomenon of Ostalgie, even within them. In making Au Revoir les Enfants, Malle could rely on his audience’s familiarity with the film’s backstory of war, occupation, and Holocaust. Bruce is in no position to make similar assumptions. Nonspecialists would thus do better to turn elsewhere, perhaps to Anne McElvoy’s The Saddled Cow (1992), a perceptive overview of East German history written by a journalist who witnessed its final years, or for a somewhat later examination of still raw memories, Anna Funder’s haunting Stasiland (2003):

Frau Paul started opening doors. First a compartment so small a person could only stand. It was designed to be filled with icy water up to the neck. There were sixty-eight of these, she told me. Then there were concrete cells with nothing in them where prisoners would be kept in the dark amid their own excrement. There was a cell lined entirely with padded rubber. Frau Paul was held nearby.

You won’t find much of that in The Firm. Also missing are the Stasi’s international activities, from espionage to the support of terrorism, dirty work that took place far from the dull towns in which Bruce’s narrative unfolds. Equally, there are few traces of the dangerous dance between regime and intelligentsia that forms the subtext of Florian Henckel von Donnersmarck’s Oscar-winning The Lives of Others (2006). The prominent playwright who is that movie’s principal protagonist bears scant resemblance to Bruce’s bullied provincials.

Where The Firm comes into its own, however, is as a demonstration of the remarkable reach of East Germany’s surveillance state. The Stasi employed 91,000 full-time officers at the time the regime fell. In the prewar Reich, a country with a population well over three times as large, the Gestapo made do with 7,000. To be sure, the Nazis enjoyed greater popular support than their Communist successors, but statistics from other Warsaw Pact countries suggest that this cannot be the sole explanation for the difference. As Bruce notes, “The secret services of .  .  . Czechoslovakia (1:867) or Poland (1:1,574) did not even come close to the ratio in East Germany of one full-time secret police officer for every 180 East German citizens.”

We are left to guess why. Fear of the vanquished fascist enemy? Maybe. Stereotypically Teutonic thoroughness? Probably. The dangerous, reproachful proximity of the free, increasingly prosperous, Germany next door? Almost certainly.

The snooping didn’t stop with the 91,000. In 1989, the Stasi had 173,000 informants on its books. They were given the generic, now reviled, name of unofficial coworker (I—Inoffizieller Mitarbeiter) but were then subclassified according to a distinctively totalitarian taxonomy. This included Secret Lead Informants (GHI), and below them, trusty Full-time Unofficial Coworkers (HIM), and below them, lowly Societal Coworkers for Security (GMS), and then, forming part of the base of this unlovely pyramid, Sporadic Contact Persons (KP) and Collaborative Operational Partners (POZW). In 1988, there was one informant for roughly every 76 preretirement adults in sleepy Perleberg District, a total that Bruce contrasts with one snitch for every 16,800 people in the Ukrainian regional hub of Kharkov at the depths of Stalinist terror.

The Gestapo, of course, benefited from the willingness (for varied reasons) of so many Germans to volunteer information on their neighbors to authorities for whom they had some sympathy. As “the sword and shield” (naturally the iconography was borrowed from the Soviet secret police) of a regime profoundly disliked for most of its existence, the Stasi had to be more proactive. Bruce shows how it recruited (predictably, a mixture of carrot and stick) and why. One Kurt Wollschläger was chosen because of the need to ferret out grumblers at the local river port. That Wollschläger was separated from his wife was, the Stasi (prudish when it came to behavior within its own ranks) reckoned, a plus: He had more time to hang around in bars. That he was a former Nazi was no problem.

Informants would report regularly to their handlers, a snippet here, an observation there, sometimes harmless, sometimes not, and sometimes, perhaps most characteristically, as a piece in a complex composite portrait being assembled of an individual that the regime was beginning to distrust. If it looked as if those suspicions might have been justifie—he bar was low: no laws needed to have been broke—he screws would tighten, relentlessly, remorselessly, but not necessarily attributably. There was not always a warning chat. A job would be suddenly lost; new employment would be hard to find. A child would not win that university place. Ugly gossip might be circulated. The phone would ring at night, with only silence at the other en— perfect expression of this shadowy, subtle, and devastating form of repression.

There was a word for this: Zersetzen (“to undermine” or “to break down”). For outright dissidents, for those “preparing to flee the Republic” or those whose mutters of discontent had tipped over into something more insistent, there was prison (and, on occasion, the bullet). The more fortunate won exile, or had exile forced upon them. For the law-abiding who never crossed such lines, there was always the reality or the risk of Zersetzen, a vital element in a system of understated control that Bruce describes as hovering “ominously in the distance, always threatening, always unsettling, a constant potential threat.” And it worked. The German Democratic Republic was, almost until the end, one of Moscow’s better-behaved satellites.

Coerced good behavior should not be confused with enthusiasm. An appropriately skeptical Bruce reports on reprehensible efforts by some historians to strip that ill-mannered adjective “totalitarian” from the regime that collapsed with the Wall: “Welfare dictatorship .  .  . post-totalitarian bureaucratic dictatorship .  .  . thoroughly ruled society .  .  . forced through society” and, thanks to its colossal number of informants, “participatory dictatorship” are amongst the euphemisms that have slithered into view. We can only speculate at what motivates such nonsense: Is it the persistent academic desire to minimize the crimes of the left, or is it an unwillingness to come to terms with the full implications of past horrors?

Such poisons have a way of seeping out from university campuses, but in the case of the former East Germany, their potency is reinforced by the natural tendency of its onetime citizens to allow past moments of personal happiness to cast a favorable glow over the republic in which they once endured: “Oh, it wasn’t all bad, you know.” Bruce handles this difficult topic with considerable subtlety before concluding that one can no more put a boundary between everyday life in the fallen republic and the ever-present awareness of the Stasi’s presence than “one can encircle a scent in a room.”

The Stasi’s stink not only lingers where it once did (and sometimes very strongly) but has also been allowed to waft into the former West Germany. The Left party, a grouping formed by the merger of western leftists with the “reformed” heirs to East Germany’s old governing party, took some 12 percent of the vote in the united Germany’s 2009 elections. Reformed? Well, when Joachim Gauck, a former dissident and for 10 years the first federal commissioner for the Stasi archives, addressed the parliament in Saxony, a territory that was once part of East Germany, the event was boycotted by all Left party parliamentarians.

Something There Is That Doesn't Love a Wall

Frederick Taylor: The Berlin Wall: A World Divided, 1961–89

The New York Sun, May 30, 2007

Berlin, August 1978, © Andrew Stuttaford

Berlin, August 1978, © Andrew Stuttaford

To cross over into East Berlin in the 1970s, as I did on a couple of occasions, was to take a trip that, even then, seemed like a voyage back into a lost, almost unimaginable era. The rampaging ideologies, cruel and convinced, that had done so much to wreck Europe were in retreat across the western part of the continent, their fervor dimmed by exhaustion, bitter experience, sweet, if uneven, prosperity, and, credit where credit's due, careful American supervision. In East Berlin, by contrast, it was still 1945 or, if you prefer that date of a future that already appeared to have passed the West by, 1984.

There were occasional ruins and countless bullet holes, relics of Hitler's Götterdämmerung; there were the apartment blocks that proclaimed a utopia with no room for humanity, and then there was that sense, deadening, clammy, gray, of an oppression that Winston Smith would have understood all too well. Not just a sense, a reality: the Stasi, East Germany's secret police, was more than 100,000 strong, with at least another 200,000 informers, all for a population of just 17 million.

And then there was that wall, a symbol of horror, tyranny, and finally, deliriously, liberation. In his highly readable new book, "The Berlin Wall: A World Divided, 1961–89" (HarperCollins, 512 pages, $27.95), Frederick Taylor attempts to combine the tale of the Berlin Wall with a more general history of the German Democratic Republic, an approach that is understandable, yet sometimes a little frustrating: Mr. Taylor's account is very far from being a comprehensive study of what was one of the last century's most peculiar, disturbing, and interesting states.

Nevertheless, there's an undeniable logic to looking at the "other Germany" from the perspective of a wall that was both an admission of its failure and the key to its survival. While Mr. Taylor has no sympathy for the communist regime, the picture he paints is more complex than the usual Cold War cartoon. The wall was, he shows, the desperate response of the dictatorship to the prospect that its state would collapse from within, emptied out by the lure of West Germany's remarkable economic recovery. For many East Germans freedom and an increasingly higher standard of living were there for the taking. All it required was a train ticket to East Berlin, and a little luck.

For all of Berlin, East and West, was supposedly still under the shared control of World War II's "big four." As a result, the border within the city continued to be porous in ways inconceivable elsewhere on the intra-German frontier. In the first 12 years of its existence, the GDR lost around a sixth of its population to the west. As the 1950s progressed, and the barbed wire and death strips went up around the rest of East Germany, Berlin was the escape hatch, the way out. This was unsustainable. If that hatch wasn't locked tight, East Germany would collapse, and if East Germany collapsed, it would almost certainly take the fragile Cold War truce down with it.

As 1960 turned into 1961, the rush for the exit only intensified. Torschlusspanik ("panic that the door will be closed") gripped the GDR. If anything, however, the panic was underdone. The door wasn't just closed that year. It was bricked-up. In chilling, precise detail, Mr. Taylor explains how the regime made its preparations (meticulous, cynical, and, somehow, very German), kept the Soviets onside (one of the many strengths of this book is its focus on the tricky relationship between the Kremlin and East Berlin), and then succeeded in incarcerating an entire nation in the course of one August weekend.

Critical to that success was the passivity of Britain, France, and America, nominal guarantors of a nominally united city. As Mr. Taylor makes clear, they huffed, and they puffed, but they never tried to blow that wall down. To have done so would almost certainly have meant war, and who was prepared to risk Armageddon for the right of East Germans to travel? It was an exercise in Realpolitik that condemned millions to imprisonment in their miserable abomination of a republic for nearly 30 more years, but the obvious implication to be drawn from Mr. Taylor's narrative is that this was the correct thing to do. And so it was.

That is not the same as saying that this was a morally straightforward decision, yet to read this book carefully is also to see the traces of another story, that of the West German politicians (mainly on the left) who appeared to have few qualms about accepting, and perhaps even liking, the idea of that socialist sibling of theirs. When in 1987 Gerhard Schröder pronounced (with, it seems to me, unseemly relish) that reunification was a "big lie," he was not, as Mr. Taylor reminds us, alone.

Fortunately, the future chancellor got it wrong. Two years later, time caught up with East Germany. When it did so, it came rushing in at a pace that suggested it was desperate to make up for those wasted, frozen decades. Mr. Taylor describes those lovely, wild, exhilarating weeks movingly and with undisguised enthusiasm. But, while he does mention some of the difficulties and ambiguities that have followed reunification, it's difficult to avoid the feeling that his head, like his heart, remains caught up in the optimism of 1989–90. History, however, moves on, remorseless, relentless, and forgetful. As Mr. Taylor himself notes, the PDS (essentially the old East German Communist Party in unconvincing democratic drag) is now an important part of the coalition that runs Berlin.

Some people never learn, and others never give up.

Taking Lives in Stasiland

The Lives of Others

The New York Sun, February 9, 2007

If there is nothing else to East Germany's credit (and, frankly, there isn't), that grim, gray dictatorship did succeed in provoking two of the finest films to come out of a reunited fatherland in recent years.

The first, Wolfgang Becker's sweet, enchanting "Good Bye Lenin!" (2003) used one family's crisis to examine both the year that Erich Honecker's then largely unlamented republic simply faded away and the way that layers of self-deception, "internal emigration," and illusion had helped its citizens to weather those penned-in decades of repression, futility, and waste. Nevertheless, as moving and wonderfully perceptive as that film was, it's impossible to watch it without detecting occasional traces of Ostalgie, the nauseating, sugarcoated nostalgia that some Germans (of East and West) claim to feel for a kinder, gentler Volksrepublik, which never, in fact, existed.

The second of these films, the novice director Florian Henckel von Donnersmarck's "The Lives of Others," shows no signs of falling into that trap. From its concreted landscapes to its muted colors to its clammy betrayals to the black Volvos of the party bosses prowling the streets of their wretched blind alley of a capital, this wrenching, stirring, magnificent movie portrays East Berlin as it was. In this, it undoubtedly helped that Mr. von Donnersmarck was brought up in the western half of the city and was a frequent visitor to the mysterious, unsettling land on the other side of the wall.

Adding further to the film's credibility, a number of the cast began their careers in an East German state that, nearly 20 years after its demise, retains the power to haunt their lives. During an interview last week, Mr. von Donnersmarck told me that Ulrich Mühe, the film's star, had spent more than he was paid for "The Lives of Others" in legal costs incurred after the actor's ex-wife sued to stop publication of a book linked to the film in which it was to be revealed that she had "allegedly" (as, I suppose, lawyers would insist we must say) informed on him to the Stasi, East Germany's secret police. Meanwhile, the father of another cast member was unmasked as a former Stasi officer following publication of the photographs of him that appeared in the press after he attended the film's premiere.

But then that's really not so surprising. East Germany was the most spied-upon society in history. Neither prisons, nor torture, nor executions, nor even that wall were enough to keep it all together. To supervise a population of 17 million, the Stasi, with some 100,000 officers, grew to be more than twice the size of the Third Reich's Gestapo, and, just to be sure, it recruited at least another 200,000 informers, probably many more. In her 2003 book on East Germany, the Australian author Anna Funder dubbed this police state that was more police than state as "Stasiland." She was right to do so.

It's as a model citizen of Stasiland, a skilled interrogator doing his brutal business, that we first encounter Mr. Mühe's Captain Wiesler. He is Stasi, a member of the elect, a true believer, and, yet, even in the movie's early stages, there are hints that all is not well. He is hunched, buttoned-up, withdrawn, his demeanor as much captive as guard. Contrasted with the deprivation that was the lot of most East Germans, Wiesler's bleak, spotless apartment might be a token of his privileged position, but it is little more than a cell. The only sign that anything remains of the captain's emotional life is a brief request to an appallingly unattractive prostitute (assigned to him, we must assume, by his employers) to stay with him a little longer. He knows enough to know that he is lonely.

"The Lives of Others" tells the story of what happens when, at the request of a government minister, Captain Wiesler puts famous playwright Georg Dreyman (Sebastian Koch) under close surveillance as someone who may be disloyal to the republic. Intellectuals, you know. Eventually, Wiesler discovers that the politician's real motive is sexual rather than ideological. He has his eyes on Dreyman's girlfriend (nicely played by Martina Gedeck) and wants Dreyman out of the way. And that's not the most important thing that our Stasi officer discovers. As (courtesy of bugs installed in the playwright's apartment) he sits listening day after day to the minutiae of Dreyman's life, the captain begins to find out some truths both about the evil of the regime he has served so loyally and, ultimately, about his own capacity for good.

Mr. Mühe's subtle, deadpan, and compelling portrayal of a bad man possibly stumbling toward redemption is one of the most profoundly moving performances I have ever been privileged to witness on-screen. He's ably supported by a cast that never seems to put a foot wrong. In particular, it's worth singling out Mr. Koch's Dreyman, a plaything of the regime as well as its playwright, a man who comes to realize that his carefully preserved detachment is no longer enough. Look too for the clever way that Dreyman's milieu is depicted as a licensed, micromanaged Bohemia that, like so many aspects of the German Democratic Republic, is at best a feeble facsimile of what was available in the West and, at worse, a dangerously comforting delusion.

"The Lives of Others" comes to America garlanded with the prizes it has won in Europe. It has now been nominated for an Academy Award for Best Foreign Language Film. Win or lose (and it deserves to win), it's already achieved something far more significant than that little statuette.

Sometimes a movie or, even, for that matter, a TV show, can transcend its entertainment value and become a device that compels a nation to reconsider its history. When NBC's "Holocaust" was first shown in West Germany (roughly half the adult population caught at least one episode), it shattered that country's long-standing taboo on open discussion of Nazi genocide. Now "The Lives of Others" has forced large numbers of Germans to start facing the truth about what former dissident Wolf Biermann has referred to as their "second dictatorship."